CONGRATULATIONS!! Shelly Galverson of New York, NY!!
This is kind of a funny story. So I announced the winner yesterday morning at 9am CST and the announced winner, Shelly Galverson, responded within 30 minutes or less. I think it was more like 25 minutes! That’s the fastest response I’ve ever had to one of the drawings yet!! LOL!! She must have waited and watched for that announcement in her inbox at 9am CST. LOL. I got a big kick out of that. guess it was worth her staying on top of it because she won the February drawing which was the $25 gift card for Apple iTunes or Apple Store credit. Remember, every month on the 25th of each month I do a drawing for something worth $25.00 or more. All you have to do is subscribe. It’s free for anyone. No age limit! No social media likes or follows! Just subscribe for free and you’ll be entered into the monthly drawings! You can even win multiple times with only 1 subscribe. So don’t delay, SUBSCRIBE HERE AND NOW!
Our prizes are worth at least $25
Our prizes are worth at least $25. Usually more. Sometimes the prizes are gift cards, sometimes they are tickets to the movies, sometimes it’s just something cool that you’ll be sure to love and use in your every day life. It just varies from drawing to drawing. This month I am very excited about the prize. I will be giving away a set of Plantronics Backbeat GO 2 Black with the Charging Case. This prize is valued well worth over $25! I think the cheapest I found them online for was $28.00; so including the shipping of around $5.00 and tax, you’ll be winning a $30+ valued prize! Check out some of the photos of the Plantronics Backbeat Ear Buds below:
A little more info on March’s prize
Here’s a little more information on March’s prize. The Plantronics Backbeat GO 2 wireless stereo headsets are amazingly light, featuring incredibly small ear buds with bluetooth technology. Compact design easily slips into your pocket and tangle free cables offer portability. You can enjoy your favorite music or movie with up to 4.5 hours of listening and 5 hours of talk time.
The bluetooth stereo headset allows you connect to smartphones or tablets for music, movies, and calls. Also inline controls let you pause music to take a call, adjust volume, or skip tracks. Plantronics Battery Meter widget enables a headset battery meter on Android™ 3.0 tablets, and Android 4.0 phones and tablets while it automatically shows onscreen for iPhone and iPad.
Backbeat GO 2 Features:
Connect to Multiple Devices
Volume / Mute Control
Switch Between Calls & Music Listening
Up To 5 Hours Talk Time
Perfect for iPhone®
Sweat Proof Durability
Use for Music, Videos & Calls
Supports New Charging Case
An Industry First for Stereo Bluetooth Headsets
Stream Audio w/ Compatible Devices
4.5 Hours of Music & Movie Audio
– Puts Buds Into Hibernation When Away From Phone
– Extends Standby Time Up To 6 Months
Extend Battery Life w/ Charging Case
This prize is sure to please!
So if you’re not already a subscriber; SUBSCRIBENOW! I promise we only send out 2 emails per month plus the email where I announce the winner of the drawing, which is on the 26th of each month. The other 2 emails you will receive out are power-packed with incredible information about WordPress Website Design and Audio Production tips. I focus on those two categories; so if you’re a WordPress web designer or enthusiast or maybe you’re into audio production or recording music, this is the list for you! SUBSCRIBE NOW!! Again, I only send a total of 3 emails out per month. Two of them contain the content and the third email is the announcement of the winner just like this email. So don’t delay, SUBSCRIBE NOWbecause you never know, you might be the next lucky winner!
Again, I want to say CONGRATULATIONS to Shelly Galverson of New York, NY for winning February’s prize! I hope you enjoy it Shelly!
Compassion to me is a word that compels me. It kind of provides the fuel for living. I try to preface every action, reaction, emotion or feeling with compassion. Understanding and identifying with people and their heartaches are what compassion really is. To me the way to overcome obstacles, reach goals and even pursuing your dreams is motivated through compassion. I mean what good would it be to have all these gifts with nobody to share them with. Therefore, even your most intimate dreams and vision for yourself can still be centered around others. Make sense?
com·pas·sion – (kəmˈpaSHən)
sympathetic pity and concern for the sufferings or misfortunes of others.
To me compassion is an outward expression of an inward feeling other people. As I alluded earlier, it compels me. I feel it’s important to live outside of yourself and take note of what other people do, who they are, what they want and hope for. Compassion is what compels me to give to Salvation Army once or twice a year. It’s what gives me the courage to stop and pick somebody up that’s struggling on the side of the road, and help them. We live in so much fear in this country, and everybody claims where free. We’re free yeah, but our minds keep us captive. I’ll say this on more than one occasion in this website and that is “Your mind is where it starts.”. That’s one of my sayings for 2018. I try to have a life quote every year that I live by. This year it’s “Moving Forward”. It’s my version of a New Years Resolution. Anyway, your mind is where it starts says to me that to feel compassion for somebody you must think that way first. If you’re hateful towards the people in your life then more than likely you won’t have much compassion for somebody else. What I find is that most people have a lot of love to give, they just never have been able to give it. Sound crazy? We’ll it’s not at all.
Last thing I wanted to mention in this post is that people need compassion from others. We ALL need it! We all need a human touch of kindness.
Song of the Year: “That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)
Best New Artist: Alessia Cara
Best Pop Solo Performance: “Shape of You” — Ed Sheeran
Best Pop Duo/Group Performance: “Feel It Still” — Portugal. The Man
Best Traditional Pop Vocal Album: “Tony Bennett Celebrates 90” — Various Artists; Dae Bennett, producer
Best Pop Vocal Album: “÷” — Ed Sheeran
Best Dance Recording: “Tonite” — LCD Soundsystem
Best Dance/Electronic Album: “3-D The Catalogue” — Kraftwerk
Best Contemporary Instrumental Album: “Prototype” — Jeff Lorber Fusion
Best Rock Performance: “You Want It Darker” — Leonard Cohen
Best Metal Performance: “Sultan’s Curse” — Mastodon
Best Rock Song: “Run” — Foo Fighters, songwriters
Best Rock Album: “A Deeper Understanding” — The War on Drugs
Best Alternative Music Album: “Sleep Well Beast” — The National
Best R&B Performance: “That’s What I Like” — Bruno Mars
Best Traditional R&B Performance: “Redbone” — Childish Gambino
Best R&B Song: “That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)
Best Urban Contemporary Album: “Starboy” — The Weeknd
Best R&B Album: “24K Magic” — Bruno Mars
Best Rap Performance: “HUMBLE.” — Kendrick Lamar
Best Rap/Sung Performance: “LOYALTY.” — Kendrick Lamar featuring Rihanna
Best Rap Song: “HUMBLE.” — K. Duckworth, Asheton Hogan and M. Williams II, songwriters (Kendrick Lamar)
Best Rap Album: “DAMN.” — Kendrick Lamar
Best Country Solo Performance: “Either Way” — Chris Stapleton
Best Country Duo/Group Performance: “Better Man” — Little Big Town
Best Country Song: “Broken Halos” — Mike Henderson and Chris Stapleton, songwriters (Chris Stapleton)
Best Country Album: “From A Room: Volume 1” — Chris Stapleton
Best New Age Album: “Dancing on Water” — Peter Kater
Best Improvised Jazz Solo: “Miles Beyond” — John McLaughlin, soloist
Best Jazz Vocal Album: “Dreams and Daggers” — Cécile McLorin Salvant
Best Jazz Instrumental Album: “Rebirth” — Billy Childs
Best Large Jazz Ensemble Album: “Bringin’ It” — Christian McBride Big Band
Best Latin Jazz Album: “Jazz Tango” — Pablo Ziegler Trio
Best Gospel Performance/Song: “Never Have to Be Alone” — CeCe Winans; Dwan Hill & Alvin Love III, songwriters
Best Contemporary Christian Music Performance/Song: “What a Beautiful Name” — Hillsong Worship; Ben Fielding & Brooke Ligertwood, songwriters
Best Gospel Album: “Let Them Fall in Love” — CeCe Winans
Best Contemporary Christian Music Album: “Chain Breaker” — Zach Williams
Best Roots Gospel Album: “Sing It Now: Songs of Faith & Hope” — Reba McEntire
Best Latin Pop Album: “El Dorado” — Shakira
Best Latin Rock, Urban or Alternative Album: “Residente” — Residente
Best Regional Mexican Music Album (Including Tejano): “Arriero Somos Versiones Acústicas” — Aida Cuevas
Best Tropical Latin Album: “Salsa Big Band” — Rubén Blades con Roberto Delgado y Orquesta
Best American Roots Performance: “Killer Diller Blues” — Alabama Shakes
Best American Roots Song: “If We Were Vampires” — Jason Isbell, songwriter (Jason Isbell and the 400 Unit)
Best Americana Album: “The Nashville Sound” — Jason Isbell and the 400 Unit
Best Bluegrass Album: tie, “Laws of Gravity” — The Infamous Stringdusters and “All the Rage — In Concert Volume One” — Rhonda Vincent and the Rage
Best Traditional Blues Album: “Blue & Lonesome” — The Rolling Stones
Best Contemporary Blues Album: “TajMo” — Taj Mahal and Keb’ Mo’
Best Folk Album: “Mental Illness” — Aimee Mann
Best Regional Roots Music Album: “Kalenda” — Lost Bayou Ramblers
Best Reggae Album: “Stony Hill” — Damian “Jr. Gong” Marley
Best World Music Album: “Shaka Zulu Revisited: 30th Anniversary Celebration” — Ladysmith Black Mambazo
Best Children’s Album: “Feel What U Feel” — Lisa Loeb
Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling): “The Princess Diarist” — Carrie Fisher
Best Comedy Album: “The Age of Spin/Deep in the Heart of Texas” — Dave Chappelle
Best Musical Theater Album: “Dear Evan Hansen” — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek and Justin Paul, producers; Benj Pasek and Justin Paul, composers/lyricists (original Broadway cast recording)
Best Compilation Soundtrack for Visual Media: “La La Land” — Various Artists
Best Score Soundtrack for Visual Media: “La La Land” — Justin Hurwitz, composer
Best Song Written for Visual Media: “How Far I’ll Go” — Lin-Manuel Miranda, songwriter (Auli’i Cravalho)
Best Instrumental Composition: “Three Revolutions” — Arturo O’Farrill, composer (Arturo O’Farrill and Chucho Valdés)
Best Arrangement, Instrumental or A Cappella: “Escapades for Alto Saxophone and Orchestra From ‘Catch Me If You Can’” — John Williams, arranger (John Williams)
Best Arrangement, Instruments and Vocals: “Putin” — Randy Newman, arranger (Randy Newman)
Best Recording Package: tie, “Pure Comedy (Deluxe Edition)” — Sasha Barr, Ed Steed and Josh Tillman, art directors (Father John Misty) and “El Orisha de la Rosa” — Claudio Roncoli and Cactus Taller, art directors (Magín Díaz)
Best Boxed or Special Limited-Edition Package: “The Voyager Golden Record: 40th Anniversary Edition” — Lawrence Azerrad, Timothy Daly and David Pescovitz, art directors (Various Artists)
Best Album Notes: “Live at the Whisky A Go Go: The Complete Recordings” — Lynell George, writer (Otis Redding)
Best Historical Album: “Leonard Bernstein — The Composer” — Robert Russ, compilation producer; Martin Kistner and Andreas K. Meyer, mastering engineers (Leonard Bernstein)
Best Engineered Album, Non-Classical: “24K Magic” — Serban Ghenea, John Hanes and Charles Moniz, engineers; Tom Coyne, mastering engineer (Bruno Mars)
Producer of the Year, Non-Classical: Greg Kurstin
Best Remixed Recording: “You Move (Latroit Remix)” — Dennis White, remixer (Depeche Mode)
Best Surround Sound Album: “Early Americans” — Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Jim Anderson and Jane Ira Bloom, surround producers (Jane Ira Bloom)
Best Engineered Album, Classical: “Shostakovich: Symphony No. 5; Barber: Adagio” — Mark Donahue, engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)
Best Opera Recording: “Berg: Wozzeck” — Hans Graf, conductor; Anne Schwanewilms and Roman Trekel; Hans Graf and Brad Sayles, producers (Houston Symphony; Chorus of Students and Alumni, Shepherd School of Music, Rice University and Houston Grand Opera Children’s Chorus)
Best Choral Performance: “Bryars: The Fifth Century” — Donald Nally, conductor (PRISM Quartet and The Crossing)
Best Chamber Music/Small Ensemble Performance: “Death & the Maiden” — Patricia Kopatchinskaja and the Saint Paul Chamber Orchestra
Best Classical Instrumental Solo: “Transcendental” — Daniil Trifonov
Best Classical Solo Vocal Album: “Crazy Girl Crazy” — Barbara Hannigan (Ludwig Orchestra)
Best Classical Compendium: “Higdon: All Things Majestic, Viola Concerto & Oboe Concerto” — Giancarlo Guerrero, conductor; Tim Handley, producer
Best Contemporary Classical Composition: “Viola Concerto” — Jennifer Higdon, composer (Roberto Díaz, Giancarlo Guerrero and Nashville Symphony)
Best Music Video: “HUMBLE.” — Kendrick Lamar
Best Music Film: “The Defiant Ones” — Various Artists
Well I don’t know about you guys but I’m definitely glad the new year is here. I’ve been getting ready for 2018 for a while now. It’s a brand new year and this year my motto is “Moving Forward”. Moving forward in every area of my life. Health-wise, spiritually, financially, mentally and physically moving forward. It’s a brand new year and I might as well make some changes because God knows I have areas in my life that need improvement. I need to get better at reaching out to people. I’ve become a hermit as I’ve gotten older and I don’t like it. I’m going to stretch myself a little more here and try to start going out with friends and family to have fun. My social life sucks right now because all I do is work and come home, eat, sleep and repeat. I need a little variety in my life. I turned 48 years old this past December so I’m not getting any younger. I admit, I’m still in my prime, but still, I’m wasting it away by being such a loner. So that’s one of my New Year’s Resolutions. Quit being such a loner.
To combat that, I’ve already joined an online dating service. I went with Plenty of Fish because first off, it’s free. And secondly, there’s a lot of cool features on there and I’ve heard great success stories from POF. I’m looking for a friend first. I’m twice divorced so I’m not in ANY HURRY AT ALL to get in a committed relationship. I want to start it off slow as friends and let it progress from there. Here I am talking about my personal love life and I should be talking about the business. Okay, let’s do that.
The business plans for this year are simple. Continue to grow JamieRichards.us, JamoRecords.com and MusicalGurus.com and as they progress leverage that time with the time I’m putting into my 9-5. I would like to be full-time in my businesses by Spring of 2020. That’s a 2 year plan so it’s really not that far away. You should always have a short-term goals list and a long-term goals list.
My 4 short-terms are simple:
Be more social
My 4 long-term goals are:
Plug money into savings
Sock more into my 401k
Build my businesses to a point that I can sustain my current income
Finally, to meet the girl of my dreams and maybe settle down
I think those are all very attainable goals. Don’t you?
So let’s talk about the businesses a little bit. I’m very excited right now about JamoRecords.com. We now have a full-fledged online store where you can purchase audio tracks for your next audio/video project. I’ve also got all my personal albums up there and for sale. And a history of all of my music is represented on there now as well. MusicalGurus.com is also coming along. The vision for it is to have an online marketplace where authors can sell their music/audio files. So not only will you be able to purchase audio files there but if you’re an author you can sell your own audio files and make money. We cover every genre you can imagine and every type of audio file. Types like beats, tracks, loops, sound fx and commercial idents. We have genres like Hip-Hop/RnB, Rock, Pop, Top 40, and Dance and so much more. In fact, we have over 40 genres represented. Though the site is up and functional we still haven’t rolled it out to authors yet. We’re waiting to get a few things in order first. Hopefully by Winter of this year, like a Thanksgiving roll-out, we’ll be ready to go all out and launch it to the masses. We’ll also be rolling out an affiliates program so you can make money by selling our products through your own personal portal that we provide you. All you have to do is spread the word through your social media channels and email and watch the money roll in. So that about covers my Audio Production businesses.
Now about my website business. It’s simply called Jamie’s Company, but I operate on this website, JamieRichards.us. I shut down my previous website development business called WordPress Weavers because it was kind of redundant. I have this site and my web business isn’t that big, it’s just me. So, I shut down WordPress Weavers. Besides, my portfolio is represented here and all my business email channels through firstname.lastname@example.org. I am focusing on building WordPress websites, designing custom graphics, logos and whatever is needed for those specific websites. I can build a complete online business using WordPress where you can accept credit cards through your secure online store.
Then there’s the SEO side of things for your website. SEO stands for Search Engine Optimization. This is probably one of the most important factors in a successful website. Coding all your key words and phrases into your pages, posts, products and every nook and cranny on your website. The more SEO tagging and coding we do, the close to the top of the pile your website gets whenever someone searches for your business online. I focus on keywords and key phrases. Making sure that page is clearly defined by those key words and phrases and using such words and phrases throughout the content of your website’s pages, posts and products. This is a very time consuming process so that’s why I charge $75/hour for SEO optimization. All my other services get billed out at $55-$65/hour.
Overall, I think 2018 is going to be a fantastic year for me. I’ve got my road map already set. I’ve got my goals ready to go. I’ve prepared as much as I can possibly prepare so now it’s just matter of letting the businesses and my personal commitments flourish.
If you’d like to speak with me about working with you on your new website or audio production project please don’t hesitate to call me at 972-977-3573 or email me at email@example.com or reach out using the contact form below.
Posted January 16, 2018 by Ian Dunn. Filed under Releases, Security.
WordPress 4.9.2 is now available. This is a security and maintenance release for all versions since WordPress 3.7. We strongly encourage you to update your sites immediately.
An XSS vulnerability was discovered in the Flash fallback files in MediaElement, a library that is included with WordPress. Because the Flash files are no longer needed for most use cases, they have been removed from WordPress.
MediaElement has released a new version that contains a fix for the bug, and a WordPress plugin containing the fixed files is available in the plugin repository.
Thank you to the reporters of this issue for practicing responsible security disclosure: Enguerran Gillier and Widiz.
21 other bugs were fixed in WordPress 4.9.2. Particularly of note were:
The previous taxonomy-agnostic behavior of get_category_link() and category_description() was restored.
Switching themes will now attempt to restore previous widget assignments, even when there are no sidebars to map.
The Codex has more information about all of the issues fixed in 4.9.2, if you’d like to learn more.
Download WordPress 4.9.2 or venture over to Dashboard → Updates and click “Update Now.” Sites that support automatic background updates are already beginning to update automatically.
Thank you to everyone who contributed to WordPress 4.9.2:
0x6f0, Aaron Jorbin, Andrea Fercia, Andrew Duthie, Andrew Ozz, Blobfolio, Boone Gorges, Caleb Burks, Carolina Nymark, chasewg, Chetan Prajapati, Dion Hulse, Hardik Amipara, ionvv, Jason Caldwell, Jeffrey Paul, Jeremy Felt, Joe McGill, johnschulz, Juhi Patel, Konstantin Obenland, Mark Jaquith, Nilambar Sharma, Peter Wilson, Rachel Baker, Rinku Y, Sergey Biryukov, and Weston Ruter.
The website has gone from being a tool to talk about and advertise a business, to actually being the business.
At the very onset of what we now refer to as the “dotcom boom,” nobody knew what was going on. Nobody knew the phrase dotcom boom yet, they only knew there was something big happening. Nobody could quite put their finger on what it was, but they wanted in. Many of those who got in early became fabulously wealthy very quickly.
Today we find ourselves in a similar situation.
We are at the beginning of a tremendous wave of transformative cloud-driven innovation that will surpass the innovation and wealth generated during the earlier dotcom boom. This sweeping trend will be driven by simplified business models, as-a-service offerings that reduce the barriers to entry and a new demand for heightened levels of service. It is forever changing how we do business, how we interact with one another, and it will change the very nature of how we define a company. More importantly, cloud has already begun to change the nature of startups and entrepreneurship, giving more people a seat at the table.
The framework of this new boom time is already in place, and we all know it as the “cloud.” Its evolution has morphed the cloud from being a mere set of technologies, to being much more than the sum of its parts — and the catalyst for everything from transforming old-style manufacturing, to creation of born-in-the-cloud alternatives. It is at the heart of the current redefinition of what we think of as a “job.” It is the trigger for a new wave of entrepreneurship.
The webmaster’s role in the dotCloud.
The difference between a dotcom business and dotCloud business is who is seen as the hero. Dotcoms in the 1990s revolved around teams of coders and back-room IT functionaries who built massive e-commerce engines and transactional portals from scratch. Because they were inventing things that nobody had conceived of before and were at the same time inventing the tools used to make them, development costs were high. Dotcoms with what we would consider today to be a simple proposition burned through tens of millions of dollars in venture money before they could make a single dime.
Today, those commercial and technological engines dotcommers put so much effort into developing are available in the cloud for 10 bucks a month — and the king of the hill in today’s new business is the webmaster. The webmaster must present not only an informational portal to potential customers, but an entire virtual business contained in a computer screen, including a transactional face connected to infrastructure-as-a-service back ends, as-a-service apps, and often using development platforms-as-a-service to create new websites that go far beyond yesterday’s web imperative of simply providing information and pretty pictures.
“The role of the website has dramatically changed over the past 10 years, and so too has the role of the webmaster,” said Mark Verkhovski, president of the American Webmasters Association. “Webmasters are no longer just designers and creators of attractive electronic billboards; they are business architects. They are creating what amounts to entire virtual businesses that exist only in the cloud. Increasingly, the website isn’t just something that sends customers to a revenue generator, the website itself is the revenue generator.”
The ever-changing website is at the heart of the dotCloud revolution, having quickly moved from a platform that is static and informational, to one that is highly interactive, which forms the very foundation of most new startups. The website has gone from being a tool to talk about and advertise a business, to actually being the business.
The new dotCloud economy.
The cloud isn’t new, at least in terms of internet speed, where last year’s technology is already obsolete. What is new is the emergence of a new economy that is firmly built on and enabled by cloud technologies. During the early dotcom era, a lot of new technologies came into being, many of which are still with us. But it didn’t truly become a “movement” until the dotcoms started to change the economy and transform from being a tool for business to being the business. The dotcom movement reached its potential when its innovation moved into the non-tech sector, influencing things like manufacturing and retail.
Today, we’re starting to see that happen again, with the emergence of large, completely born-in-the-cloud enterprises, new businesses built on the Internet of Things and entrenched legacy companies with new global and virtualized supply chains — the existence of which have repercussions far outside of their intended reach. Uber, for example, is a born-in-the-cloud company with a relatively simple app. But the company’s impact has been far-reaching, creating a virtual army of part-time entrepreneurs getting in on the new “gig economy,” and even ushering in serious competition to old-school industries like taxicab companies.
“At the heart of this new economy, the webmaster is the new master of ceremonies,” said Verkhovski. “His or her role is one of not just building, but more importantly, one of orchestration and integration. With the website becoming the center of the cloud based enterprise, a startup’s success will be increasingly dependent on the ability to create an online presence that not only presents an attractive public face, but also is capable of orchestrating multiple back ends, vast amounts of data, and several apps, connecting potentially thousands of people, all while offering up assurances of world-class security, speed and reliability of service, and the privacy protections that are demanded by the public.”
The new normal for startups in the dotCloud.
With the website — rather than brick and mortar — sitting firmly at the heart of many new startup businesses, the nature of what it means to launch a business has shifted. “Even during the height of the dotcom boom, startups still needed vast amounts of physical infrastructure, often running their own data centers. And even small startups still ran their own servers on premise,” said Cary Landis, president of SaaSMaker, a development platform as a service that is firmly rooted in the dotCloud phenomenon. “Those same dotcom startups also spent tremendous resources in development from the ground up. As a result, even smaller startups in the nineties needed a large amount of money, and the high cost of entry was a major contributing factor in the demise of so many of those dotcoms.”
“The new normal is driven by the sheer power of the website as a building block of business,” said Verkhovski. “Today’s startup can exist with one person and a laptop doing what it may have taken 20 people to do just a couple decades ago, and with a lot less capital. At the heart of it all is a shift in focus that has taken the website from informational and supplemental to a business, to transactional and being the business.”
I reached the pinnacle of success in the business world
In others’ eyes, my life is an epitome of success.
However, aside from work, I have little joy. In the end, wealth is only a fact of life that I am accustomed to.
At this moment, lying on the sick bed and recalling my whole life, I realize that all the recognition and wealth that I took so much pride in, have paled and become meaningless in the face of impending death.
In the darkness, I look at the green lights from the life supporting machines and hear the humming mechanical sounds, I can feel the breath of god of death drawing closer…
Now I know, when we have accumulated sufficient wealth to last our lifetime, we should pursue other matters that are unrelated to wealth…
Should be something that is more important:
Perhaps relationships, perhaps art, perhaps a dream from younger days …
Non-stop pursuing of wealth will only turn a person into a twisted being, just like me.
God gave us the senses to let us feel the love in everyone’s heart, not the illusions brought about by wealth.
The wealth I have won in my life I cannot bring with me.
What I can bring is only the memories precipitated by love.
That’s the true riches which will follow you, accompany you, giving you strength and light to go on.
Love can travel a thousand miles. Life has no limit. Go where you want to go. Reach the height you want to reach. It is all in your heart and in your hands.
What is the most expensive bed in the world? – “Sick bed” …
You can employ someone to drive the car for you, make money for you but you cannot have someone to bear the sickness for you.
Material things lost can be found. But there is one thing that can never be found when it is lost – “Life”.
When a person goes into the operating room, he will realize that there is one book that he has yet to finish reading – “Book of Healthy Life”.
Whichever stage in life we are at right now, with time, we will face the day when the curtain comes down.
Treasure Love for your family, love for your spouse, love for your friends…